Seeing (Yourself in) Your Art #Blaugust2026

Posted on by Aaron

(This is my seventh post in a series of entries I’m using to participate in Blaugust for 2026.)

You may have noticed that each of my Blaugust posts is hung on a hook that is another article (sometimes several), sometimes only loosely related to my topic.

I’m liking the idea of using these as jumping off points, and the whole thing feels far less derivative than the “articles” I’ve frequently found in the past that were “Here’s a video with a paragraph about it that hits word count but really just watch the video.”

There’s a purpose for those, but I want to distance myself from them.

The Setup

With that in mind, PetaPixel has a story on The National Gallery of Art announcing an exhibit “that will trace African American photographers and portrait subjects from the earliest days of photography.”

I like how this got through the draconian policies of our current administration, as acknowledging that any non-white, cishet male existed and sometimes had problems in the 1800s is grounds for content warning signs placed outside your museum these days. (I’m looking forward to the days when people look at that last sentence with disbelief.)

The Tie-In

So here’s the thing: Most of my students are African American. I’m not looking up the numbers for this, but it’s like 95+% of them. It’s so prevalent that in spite of my own heritage being a mix of Irish/Scottish/German one of my students found out only last year that I’m not black. They just assumed everyone in the building was, because everyone in their class was.

(In their defense, they have a sibling who is very light skinned, so they thought I was like their sibling.)

So yeah, I have a student population where, when they see most pop culture media, people who look like them are regulated to the “token black friend” casting role.

Having a whole exhibit that tells them “No, people who look like you have been using cameras for almost as long as they’ve existed” is a powerful thing.

My Students’ Work

One of the things I love about my content area (by that I mean Digital Media Arts) is that it has a district-wide theme of amplifying student voices. I didn’t come up with that, but I feel like it was pulled subconsciously from my brain and put into the official documentation.

I teach in an arts school, where we have multiple disciplines to showcase: Visual Arts (of course…), Dance, Theater, Chorus, I could go on.

But the one I teach? Media Arts? It’s how the others get shown off outside of a school gym.

There’s a hazard to this, though.

Artists usually want only their best work to be seen by others. Artists are also usually their own worst critics. This does not lead to a healthy combination. I’ve students who will avoid handing work in because late assignments don’t get seen and critiqued by their peers.

(They also really hurt grades to a degree that submitting unfinished work will not, but if logic always overpowered anxiety I wouldn’t still have acrophobia.)

And then there’s the teacher involvement.

I’ve long felt that art teachers could be sorted into two categories: Those who presented student work as accurate representations of what the students were able to do, and those who wanted to showcase the best art possible.

Those aren’t the same thing. Everyone makes mistakes, but students have more to learn and therefore make more of them. I’ve seen vis art teachers gluing collages back together, going over drawings with markers to fix the linework, and other atrocities to make the student work look nicer. In the end they had work they were happy to showcase, but saying it was done by the students was not really honest any more.

The Solution?

I’ve many goals for the upcoming school year, but one of them is to provide a wider audience to my students.

Many things get easier by doing them, and showing your work to others is included in that. There’s still a need for curation (self and by others), but having my department be more visible is likely to lead to more students getting comfortable with the idea that others will see what they do.

It’s a lot of work.

I’m not sure I can manage that with all of my other duties, but I can delegate.

Among other things, I teach presentation. I can have my 8th graders work to curate student projects in ways I can share with a wider audience. As the teacher I’ll have to have the last say in what goes live (not to mention managing publicity release forms, etc.), but that’s a small portion of the effort needed.

Having my students do the initial curating removes me a bit from the process, but this is an ideal result. The goal is for STUDENT voices to be amplified. If I become that teacher with a marker to fix the line work, then I’m inserting my own voice into things.

That ruins the whole point of all of this.

Sure, as the adult in the room I need to be the last say in what goes live, but by the time I’m making that call there should be few, if any, creative decisions left.

The next hurdle is in HOW to present the work. I teach web design, but I don’t have a school-approved web host I can use for that.

Google tools are for the most part approved, but students can’t make anything in Google Sites, Docs, etc. be viewable outside of our district.

I understand and agree with these limitations. I don’t want them reversed, that opens the doors to too many headaches, but it does make things harder.

The simplest solution I see is for the 8th grader making the showcase to put the whole thing into a video and send it over to me to import to my own account and change the permission settings so a wider audience can see it. I need to check the whole video anyway, so that’s fine.

Another option would be for them to make a Google Presentation that I again copy over to my own account. Video and audio embedding can be done this way, and it’s actually how our Vis Art department did their art showcases back during our distance learning years.

The issue that arises is that permissions for the Google Presentation aren’t the same as the embedded media. You can see all the slides but then get an error for a video if the video has more restrictions. This is, in fact, something I learned from the aforementioned Vis Art shows.

So I have a rough semblance of the outline of a plan.

It might get changed a lot as I talk it out with the other teacher in my department as well as our school admin.

We’ll see how this goes.

Games, Blocks, & Filters #Blaugust2026

Posted on by Aaron

(This is my sixth post in a series of entries I’m using to participate in Blaugust for 2026.)

There’s an interesting read on The Hechinger Report where Jackie Mader has written an article about game sites that avoid school web filters.

(The Hechinger Report, interestingly enough, releases articles under a Creative Commons license. That’s super cool of them, and one of the reasons they’re in my RSS feed reader.)

As is my trend for Blaugust, this isn’t a summary of that article, I’m using it as a jumping off point.

I have a love-hate relationship with games in my classroom.

Also internet filters.

Also, the internet.

Also, computers in general.

All for the same reason, in fact – these things that can be powerful tools for learning are also a student’s go-to for distraction. As someone with unmedicated ADHD, I know the struggle is real.

The difference is in the directions, as with most tools.

I don’t just toss my students at Luanti, I set up a modded server and direct students to complete a task, often one that requires teamwork.

I have students produce game review videos where OF COURSE they have to get some b-roll of them playing the game, but they also have to write up glows and grows (positive and constructive criticism, if we’re being fancy), script things out, record their audio, and overlay everything in post-production.

Many of the reviewed games are hosted on websites that do their best to avoid school filter blocks, which I allow so long as the content is not inappropriate for school. Students will ask what is and isn’t fair game, and I usually say “Imagine I’m showing your review to [Principal], because there’s a good chance I’m going to show it to [Principal] and your parents if you choose poorly.”

That’s usually enough guidance for a 6th grader to make the right call without going over the Student Code of Conduct in detail.

Heck, I’ve had students designing games for close to 20 years. The tools we use have changed, but the core concepts remain.

There’s plenty of reasons to block websites in school, and I’m glad it’s not my job to decide where the line is drawn, but I’ve found in my own little corner of education the easiest path forward is to take the distraction and turn it into a curriculum-based lesson.

I did the same thing with phones, back before my school banned them, but that’s another topic full of mixed feelings for a different post.

Photography For a Living #Blaugust2026

Posted on by Aaron

(This is my fifth post in a series of entries I’m using to participate in Blaugust for 2026.)

Over on DIY Photography, Alysa Gavilan as a good introduction to freelance photography as a career. It’s worth a read if that’s something you or someone you know is seriously thinking about that as a choice.

I’m not summarizing articles here, but I’ve known a few freelancers and photography business owners (Are you a freelancer if you have employees?) and because of that I offer some additional advice:

Get a business degree.

No, seriously. Some of the most talented artists I know don’t have formal degrees in their craft, because it’s already their passion. They live and breathe that stuff, and the knowledge follows experience and sharing with others in the communities that form around their chosen media.

A photographer might not start out strong, but they get that way through trial an error.

You know what field is prohibitively expensive if you try to learn through trial and error? Business.

A 2 year business degree from a community college will give you the basics for how to start a company, handle billing, pay employees (you should be an employee of your business, even if it’s just you), get proper permitting and paperwork, and a bunch of stuff I don’t know because I’m not a freelancer.

I’m not saying a photography degree is worthless, far from it. I would love it if every artist had the time and money to get a degree in the media that is their passion, but that’s not the world we live in right now.

If you only have the finances for one degree, get the one that helps you manage those finances.

Then use it to make your love of photography profitable.

5 Things We’re Doing Wrong in Edtech #Blaugust2026

Posted on by Aaron

(This is my fourth post in a series of entries I’m using to participate in Blaugust for 2026.)

I recently read an article with a similar name to this one that I’ll not link here, because it made me angry enough to draft a rebuttal.

This is not that rebuttal. This isn’t even a tribute.

Instead, this is my own list, different from the other one, and limited to five things simply to keep this post shorter than a novel. I could go on. I could nitpick. I would rather not invite that poison into my soul this morning.

(And yes, these are in a numbered order, but what that order should be has changed on a daily, sometimes hourly basis for me. I might adjust it after I’ve written all five. I might not.)

#5 We call it EdTech

TL;DR: I don’t like that it’s shoved over to be a separate thing when technology use should be in everyone’s domain.

There’s plenty of reasons to use labels, but doing so fits things into neat little boxes when the world is not so easy to organize.

I’ve been my school’s “EdTech” teacher for as long as it’s existed, and with that comes a concept held by too many people that I hold a fiefdom over all that has blinking lights and LCD screens.

We’ve moved away from that a bit in the past 6 years (I wonder why…) but the problem persists, with teachers using class Chromebooks for unsupervised “independent study” time because they’re not “techy” enough to do more.

In truth, any technology is a tool that makes life easier for those who are using it. (If it’s making life harder, someone’s doing something wrong.) The first of our ancestors that learned a pointy stick kept their food from running away was using technology. It should not be mystified just because now a lot of it has rocks we tricked into doing math.

There are plenty of people who make loving tech their whole personality and try to build walls up so anyone not on their level doesn’t get to be “in the know” and learn how to use the tools. Those who just want things to work don’t need to help build those walls.

#4 We Let Capitalism Lead It

TL;DR: Nothing in education should be a for-profit enterprise, because that shifts priorities to making money, not supporting students.

Schools, traditionally, are underfunded. Underfunded schools do not traditionally have a lot of money to spend on technology. Therefore, schools will frequently look for the free and/or cheap options.

This means the schools will have tons of open-source software running on refurbished hardware, right? Hahaha, my lab is an outlier and does not get counted.

No, a lot of the tools we use are “freemium” to get us hooked before charging for more features, or ad supported, or have data collection, or are provided at steep discounts so that students (and teachers) get locked into the “but I’ve always used [thing]” mentality.

Look at what Apple did in the 1990s. All of those Mac labs existed for a reason, and it helped keep them afloat for years.

Google’s doing the same thing with Chromebooks, and they don’t even need to deal with hardware or marketing to make it happen.

Sure, to be in my school system they have to promise to not collect any data on our students, but this is Google. If they have someone locked into their ecosystem by 3rd grade then as soon as that kid creates a non-student account the data collection and selling begins.

Adobe makes me the angriest, though, as even my own colleagues in the past have said their students needed Adobe Creative Suite to be successful. Why? It’s the industry standard. Why? Because everyone uses it. Why? Because it’s the industry standard.

There’s no such thing as a free lunch, I know. Using open source software in my lab requires me to do more work installing and maintaining things, but my students will still know WHEN to make the cut from one scene to another.

#3 We Lowered Our Standards

TL;DR: Some tools we use are garbage, but we still use them because they’re “educational.”

A long time ago I was really into a handful of Christian Rock bands. Alas, only a handful, because the rest were … developing their skills. Christian Rock was a small enough niche that a band could get their foot in the door and be on the local Christian Rock radio station with a level of quality one could not find on any pop, country, or oldies station because the bar for those was too high.

Most “educational” programs I’ve played with have either been heavy on the fun with a glaze of flash cards on top or heavy on the flash cards with showing a point total to make it “gamified.”

I’ve had far more success taking tools never meant to be limited to the classroom and having students make things with them. Kdenlive isn’t a video editor for kids, it’s a video editor. The lesson is in learning how to use it, and it doesn’t need a cartoon mascot for that.

(Although Tux Paint has a cartoon mascot and is super fun, so there’s always exceptions.)

#2 We Abandoned Old Successes

TL;DR: Things that work well don’t have to be dumped just because we found a new thing.

Remember when blogging and podcasting were big in education? No, not recently, I mean the first time, back in the ’00s, before some of my coworkers were born.

How about game based learning? Gamification? (You know those aren’t the same thing?)

Each of these was a trend that was popular for good reasons that just faded away to obscurity, not because it got worse but because the next new trend showed up and there was only so much time in a school day.

#1 We Jump on Bandwagons Because They’re Bandwagons

TL;DR: If not adopting AI will have me get left behind, then I will leave you to join the lemmings and be here when the bubble has burst with my cognitive skills intact.

I’ve seen a lot of fads come and go: ’80s hairstyles, Bitcoin, NFTs, and candy colored computers are just some of them. You can still find fragments left behind, but they are all shadows of their former selves.

AI is one of these trends, with companies relabeling rather tame algorithms as “AI” because that’s the buzzword of the day.

It disgusts me that so many EdTech “leaders,” some of whom I respected in the ’00s, have seen this as the next big thing and hitched their wagons to it.

Gotta make a buck somehow, if your income is public speaking and book sales, I guess.

Whenever I converse with an AI advocate, I get the same talking points:

  • “You’re not teaching your kids what they need to know.”
    • My students know how to make movies. Yours know how to write a prompt and have a program steal other movies and mash them together to make something that looks the same as every other AI generated piece of slop. Our classes are not the same.
  • “It gives you more time for the important work.”
    • Everything AI generates is subject to errors, and people are getting in trouble when those errors slip through. It takes me less time to make a thing than it does to double-check the output from a plagiarism engine.
  • “It helps students learn.”
    • Citation needed. (I’m never provided any when I ask.)
    • Any time the work is done for my students, they don’t learn. My kindergarten students don’t learn their passwords in classes where the teacher types it for them, but in my class most of them have it down in two weeks. They learn by doing. If AI does the work from them, what are they learning?
    • I teach HTML coding. AI can write code, but AI written code is very hard to maintain. I can look at my hand-coded websites and edit them. My students can do the same. Yours can, what, ask the AI to do better this time?
  • “It’s cheaper than paying an artist.”
    • Theft usually is. Knowing how to steal is not the flex you think it is. Telling an art teacher that kids should know how to steal from artists is certainly a choice.

One last thing about the AI bandwagon that is spreading like a cancer: The people making money in a gold rush are the ones who sell the shovels.

The established shovel makers aren’t building more factories. They see the bubble for what it is, and don’t expect it to last long enough for a new factory to pay for itself before the bubble bursts.

When that happens, I’ll be here – still teaching how to make cool things without typing prompts into a souped up spellchecker, while others have forgotten how to do anything without asking an AI for advice first.

The Last Museum: Ominous Name, Great Resource #Blaugust2026

Posted on by Aaron

(This is my third post in a series of entries I’m using to participate in Blaugust for 2026.)

The very first post I ever made on this blog was about the Artchive, a still-running site where you can find countless fine art images by famous artists. When I made that I was halfway through my first year as an elementary art teacher (after 4 years of teaching high school) and in the process of getting my graduate degree.

That post – this whole website, actually – was part of that degree, as we had to make web pages for one of my courses. Most went with static pages but not me, I had to be fancy!

The Artchive is still awesome, but Open Culture has found yet another resource to add to my tool belt: The Last Museum.

You should read the write-up Open Culture has, it’s not long and I don’t want to just rehash what someone else said. Instead, let’s talk about usage.

My students like making digital things, but those interests aren’t distributed evenly. If they have a video that needs some visuals, their first inclination is to head to Google and steal something. My job, in part, is to fix that so they don’t end up on the news for the wrong reasons.

Now I’ve shared a variety of sites with them to help out with that, but more is better, and The Last Museum is effectively a search engine for art.

One of my favorite features about it is that you can select a specific range of years. Because copyright law is a hot mess in most places (it’s great to protect artists’ rights, it’s unfortunate that companies abuse it constantly), I’m more likely to find public domain art I can use if I move the higher end of that slider down to, say, 1930.

(It’s still worth checking each work, of course, as exceptions sometimes exist depending on each country’s laws.)

And the variety! There’s maps, woodcuts, paintings, prints, lots of architecture, and all kinds of cool things in there.

This isn’t going to replace the other sources I use, but it’s certainly going to supplement them.

Put Your Phone Away, Time to Take Photos! #Blaugust2026

Posted on by Aaron

(This is one of a series of entries I’m using to participate in Blaugust for 2026.)

Remember when you would buy a compact camera if you wanted something inexpensive?

Well, technically you still can (Looking at you, Camp Snap!), but the prices for higher quality compact cameras are surpassing the lower end DSLR and mirrorless models, even when you factor in the lenses.

Granted, you’re getting what you pay for. A $1k+ compact is going to outperform my current, aging DSLR (in the best lighting, at least…) while still being small enough to fit in a pocket. Still, I’m the kind of person who won’t pay the going rate for a new desktop computer when I’m replacing my phone, so my knee-jerk reaction is to not like it.

The Bad Times

I remember when it seemed like the small camera market was dying off. Flip video cameras were remarkable even without an optical zoom, but cell phones were on the rise, so they died away. Reporters were being handed iPhones so staff photographers could be laid off. (And that was earlier this year!)

The Better Times

Now we’ve got a resurgence of non-phone cameras and I love it, for so many reasons. Camera companies are loving it as well, as the ones that survived are raking it in. I won’t celebrate the rich getting richer, but without new hardware being made the hobby does get a bit more difficult.

First of all: Your average non-phone camera isn’t going to be packed with AI “features.” Oh, there might be something in there labeled as AI, in the same way that every spellchecker gets that label if someone in marketing thinks it’ll make a shareholder salivate, but cameras aren’t going to have the processors or storage space dedicated to the LLMs I complain about to everyone who will listen.

Second: Phones are constantly online. Cameras aren’t. You can get a camera with Wi-Fi features, but try turning those on and watch your battery drain in real time. The benefit here is that any portal onto the internet is also a doorway to distraction. When I’m taking photos I want to be in that moment, not immediately going through the process of evaluating and uploading content.

My students have always been in that mindset. It’ll take an hour to record 5 minutes because they need to stop and review after every shot, and while that’s happening oops here come the phones. This only got quashed last year because of a school-wide cell phone ban.

A Mild Complaint

The downside of this is that it’s getting harder to get cameras for my classroom. I started regularly trolling shopgoodwill.com back in 2020 looking for computers, and within a few years I had a class set of compact cameras as well. Granted, they were of … varying levels of quality, with some using cards not manufactured in quantity since before some of my students were born, but they worked, and they were cheap, because the demand was low.

Now, I still get cameras from Goodwill, but my eyes are on the bridge models – like the Nikon Coolpix ones that take four AA batteries, because I can get rechargeable lithium AAs for cheap(ish) prices and those things combined will last for years.

But the compact cameras? That’s a non-starter. I might get a DSLR for $50 and be happy even without it being new enough to record video, but the decent compacts are going for way, way, more.

(I’m fully aware that this may be incredibly dated within a year or two. Consider it a snapshot from a bygone era if that’s the case.)

A Selfish Complaint, Because It’s My Blog So I’m Allowed

I suppose my biggest complaint about it is entirely selfish. Until last year I had a perfectly serviceable compact that was waterproof, shockproof, had a flip-out screen, and all for @ $400. You can’t get that value for that price any more, and since the screen died it’s next to unusable.

The New Old Compact

My new compact, A Camp Snap Pro, is none of the things the old one was. It’s cheap, by both definitions of the word. There’s no flip-out screen, in fact there’s no screen at all. It doesn’t do video, and while I suspect it would survive a bounce or two thanks to a lack of moving parts, I dare not consider it to be waterproof.

Not everyone’s a fan.

I’d take a class set if I could manage it.

No screen to check your shots? Well it’s more work to do that, so you might as well take all of the ones you need for this assignment before stopping your shoot to do that. You DID plan your whole shot list, right? … right?

No built-in zoom? Use your feet like I told you to.

The photos all look too dark? Time to actually use the studio lights we have instead of relying solely on the fluorescent overheads.

It’s only slightly removed from teaching film photography, but without the chemicals.

I’m totally here for that aesthetic.

The Problem With Talented and Gifted #Blaugust2026

Posted on by Aaron

(This is one of a series of entries I’m using to participate in Blaugust for 2026.)

Russell T. Warne has an article over on Education Next about the Gifted (or as some districts call it, “Talented & Gifted,” or “TAG”) program and some of its flaws. This isn’t a summary of the article, I’m just using that as a jumping off point.

I’d like to think I know a bit about the Gifted program. In 5th grade I was labeled Gifted and later I became both a TAG teacher and coordinator. I’ve had the small desk, big desk, and run-around-the-building positions for TAG, something not everyone gets to say.

The Small Desk

My journey in TAG began after taking an IQ test, a method I consider to be outdated based on both Gardner’s Theory of Multiple Intelligences (I was taught Gardner in the ’90s, talking about “Intelligence” like it’s one monolithic thing should be reserved for history books and RPGs) and the more recent concept of Growth Mindset.

Regardless of the inherent inequalities in that system of identification, I benefited from it … mostly.

Some of the things we did stuck with me, even now, decades later. I remember playing a competitive stock market game and my team winning, out of mostly sheer luck. I remember working collectively on a model airplane that we never actually finished. I faked a UFO photo with papier-mâché and a Polaroid camera, fooling a significant percentage of my grade level.

I got “enrichment” experiences that I would not have otherwise had, thanks to a poorly designed test that said I met the minimum requirements. They left me more rounded, with a better understanding of what I would and would not like to try later in life.

The Big Desk

For a time, I was my current school’s TAG teacher for grades 4-5. It was a lot of fun, with the program revolving around students identifying problems and inventing creative solutions. Keep in mind that for 4th graders, sometimes a problem might be “I don’t have a cardboard robot costume.”

I was 100% for this. We were a pull-out program, so students missed instructional time elsewhere to attend my class once a week (where I also missed planning time) but hey, they were “gifted,” they could make that up, right?

Then 2020 happened and a lot of changes took place. There were multiple ways to handle distance learning but I ended up not enjoying the changes that were made. As I was teaching TAG for the fun of it and not for the stipend, I asked to not be the TAG teacher and my principal took no issue with that.

TAG Coordinator

My last few years as a TAG teacher I did double duty as my school’s Coordinator. I won’t lay out all of the duties here but my primary responsibility was to be one of the front-line people identifying who was eligible for TAG based on my school system’s requirements. (Oh, hey, Russell T. Warne talks about that in the article I linked!)

My school system had (and I assume still has, but I’m not a Coordinator now) a much more lenient method of accepting students into TAG. Again, I’m not going over all the bullet points here, but nowhere in the multiple factors we examined did we ever consider IQ. Being Coordinator was a thankless job, but I’m glad I got to learn how things work. I wouldn’t touch it with a 10 foot pole unless I was still teaching TAG, though. Most schools, the TAG Coordinator is office staff or an administrator.

The Problem With TAG

Alright, now that you have my life story, here’s the part I’d be able to fit into a post on Mastodon:

In my experience, the parts of TAG that benefit students in the program could benefit ALL students if we just opened it to everyone. The parts of TAG that make learning more engaging are perhaps needed even more by students who are not achieving enough to qualify.

There’s no magic switch that makes the TAG program better if you have a label, and nothing that makes it cease to be good if you lack it. We could teach the core concepts to everyone, but we don’t.

At least, not officially.

There’s lots of reasons why, and I’m not about to take a position outside the classroom in order to address them, but I suspect it boils down to resource allocation. TAG costs money and time, both of which are in short supply in most schools.

(There’s also the non-zero possibility that someone thinks that if all classes are TAG then there’s nothing that makes the TAG classes stand out, but that’s idle speculation based on nothing I’ve seen or heard in regards to my district’s TAG department.)

But here’s the thing: If you’re blessed with a curriculum that allows for flexibility, you can just … have students do TAG lessons anyway. I know not every teacher has that option, some admin expect everyone to be on the same lesson in the curriculum on the same day.

But I do have that freedom, and so do many arts teachers.

So that’s what I do.

Reflectors & Photography

Posted on by Aaron

I love reflectors. A good one is lightweight and compacts down to a size that’s super portable.

Importantly: They’re much cheaper and more convenient than most lights that would serve the same purpose.I don’t even need to buy one, since I’ve made due with a sheet of paper and even a blank wall on occasion.

But there’s still a trick to getting it right, so I’m glad that SLR Lounge has written up a guide to Reflector use.

It’s been a while.

Posted on by Aaron

My last published post on here was written in 2018. (I have a draft that I typed up in 2020 but I’m not going to count that.)

Eight years later and a lot has changed. Yes, all the big things that have already come to your mind, but also, I’m doing a lot of stuff differently.

(Except for standardized testing. Standardized testing never changes.)

The rest of this post’s going to be something of a ramble. I might take parts of what’s in here and turn them into separate posts later, or I might come back years later and share another ramble.

My computer lab is all Linux. Heck, my home computers are all Linux at this point. It’s not that I love it, it’s that every other OS I’ve been fond of in the past 20 years has turned to garbage.

AI is a plague, and many of the great educators I once admired are now touting it as the revolution that will help everyone more easily steal from artists while enabling cognitive decline and hastening the destruction of our environment. None of these things really matter to them, but hey, they got it to make a graphic with too many colors so that lets them hand-wave away all the negatives.

A lot of the sites I’ve convinced others to use have gone the same route as my once respected peers. Code.org rebranded to CodeAI just this year. I’m still expected to use their curriculum for my web design course, but it’s one overhaul away from being useless to my students. (They’re all artists. Am I to tell them the future will be built upon their works, with no credit given? Am I to tell them the future requires them to steal for the corporations so that they may be laid off when they’re no longer needed? What skills will it provide to help them after the AI bubble bursts?)

I’m having a lot of fun playing TTRPGs, though, and most years I sponsor an after school TTRPG club for my students. We’ve abandoned Dungeons & Dragons (another product whose owner has made thoroughly bad choices, but this is the wrong blog for that) in favor of Lasers & Feelings, Cypher System, and Tales of the Valiant.

My social media presence has eroded to near nothing. I deleted my Twitter accounts (I’d stopped using them years earlier), and no longer publish videos to YouTube. I’m on Mastodon and PeerTube, though the former is followers-only by default and the latter focuses on TTRPGs. I might make a PeerTube for my education musings, if I gather enough thoughts to make that worth it. You can find the accounts I use on my other website.

Just last month we passed the 10 year anniversary of my wife’s death. It still hurts. I still miss her every day.

I want to be optimistic about things. There are a lot of reasons out there for me to be pessimistic and call it realism. You have to hunt for the things that make you happy, or make them yourself.

Andrew Roach is doing some amazing things. He’s not a teacher in the traditional sense, but he’s a problem solver. He’s using old tech to make video and fancy tech to make toys. He has a zine that’s half manifesto and half instruction manual on how to make your own TV station.

Russ Sharek went and made a new license for releasing work, that’s similar to CC-BY but with carve-outs preventing AI and corporate use.

Old things are becoming popular again, and I only feel like turning to dust a little bit when I remember them as new things. Primitive digital cameras that don’t connect to the internet or use AI to “fix” things are on the rise, and my students like them a lot. It’s made it harder for me to buy used cameras because of supply and demand, but when I brought my Camp Snap 8 to school, all of my younger students wanted to use it.

There are reasons to be optimistic. Maybe that’s what I’ll post more of here, to make myself feel better about the future.

Or maybe I’ll just yell at cloud computing and AI.

Or both. Both is good.

PUWT18 Presentations

Posted on by Aaron

As is apparently tradition for me, I’m presenting two sessions at this year’s Powering Up With Technology Conference. (My first presentation at PUWT was … 2006? 12 years ago? Wow!)

Rather than give long and difficult to type URLS for my presentations, I thought I’d share them here. (Yes, I am aware that “academicaesthetic” is not universally easy to type, but it’s easier than, say, “o03Eil5s,” and people can get here from AaronBSmith.com … hm, maybe that’s the link I’ll share.)

Keep in mind that these Google Slides are primarily my visual aids, as opposed to the talks themselves, and I’ll probably be changing slides around up to and including 5 minutes before my session starts. If all goes well I’ll have recordings of the actual presentations that I can post on this website as a follow-up.