Photography Edge Cases

PictureCorrect has a fun photography challenge where you take your shots using a 1/10 second exposure time without a tripod.

This comes at a time when I’ve been looking for more photo lessons to teach my middle school students. I already have one where they take higher speed “frozen in time” shots and much lower speed shots where a tripod is needed, but this isn’t either of those, technically.

That’s one of the neat things about photography. You can get the mechanics down to a science, and most companies do just that, but the art of it frequently comes from knowing all the rules and saying “OK, but what if I did the thing I’m told to never do?”

And let’s face it, just like attempts at this challenge, most of the time that’s not going to work out.

The point isn’t for it to always work. It almost never will. There’s a reason why I tell my students to absolutely never set a shutter speed for 1/30 or slower without using a tripod, even with the many ways you can mitigate camera shake.

But that one time out of 10, or 100, or 1,000 (The aforementioned challenge asks for 30 shots) where it DOES work out, well … you end up talking about that shot for a long time afterwards.

So what are the things I tell my students to do, that I could have them intentionally ignore for a lesson?

  • Use a tripod for low shutter speeds.
  • Follow Rule of Thirds.
  • Don’t put your hands in front of the lens.
  • Don’t hold the camera away from your body.
  • Don’t point the camera at a bright light source.
  • Don’t use the built-in flash.
  • Focus before taking the shot.

If I spent a bit more time on this I could probably get a year’s worth of lessons based entirely on doing what I say not to do, but this is a start.

I’m going to have to type up a few of these.

News Review: September 2026

Often, when I’m perusing my RSS feeds looking to learn things and perhaps be inspired to write something here, I find an article where I’ve nothing to add or I’ve already given my two cents a half-dozen times or more.

Rather than just nod thoughtfully and move on to the next story, I thought I’d share a few of them here. I figure I’ll post a collection like this once a month in order to not overdo it.

DIY Photography: Is Photography a Good Career? The Pros, Cons and Reality of Being a Photographer

DIY Photography: Your Photography Could Improve Before You Even Pick Up Your Camera

DIY Photography: Is Spirit Photography Real? The Strange History and Tricks Behind Ghost Photos

DIY Photography: When Technical Knowledge Gets in the Way of a Good Photograph

DP Review: Here’s how a community of photographers keeps their inspiration

PetaPixel: Will Adobe’s AI-Driven, Record-Setting Revenue Ease Wall Street’s Worry?

PetaPixel: Beyond Golden Hour: How to Take Better Landscape Photos All Day

PetaPixel: Photographers Outraged After Heavily AI-Edited Image Wins State Fair Photo Competition

PetaPixel: Stanford AI-Edits Photo to Change Student’s Race and Gender

PictureCorrect: The Easiest Photography Niches to Monetize Without Being “The Best”

PictureCorrect: The Best Photography Habits for Busy People

SLR Lounge: Smoke Photography Tips and Ideas for Incredible Images

Open Culture: The Digital Dada Library: Discover the Archive That Preserves the Original Publications of the Experimental Anti-Art Movement Online

SLR Lounge: My Trick For Getting Kids to Smile Naturally in Photos 99% of the Time

EdSurge: AI Videos Are Warping Early Learning, Teachers Say

EdSurge: New York and Los Angeles Ban Student-Facing AI (For Now). Should Other Schools Follow?

EdSurge: The “October Blues” Are Coming. Here’s How Teachers Can Beat Them.

EdSurge: The Cost of Unchecked Assumptions: Fewer Male Teachers, More Baby Slop

Education Next: Schools of Distraction

Education Next: The Penalty Students Pay for Using AI

The Hechinger Report: OPINION: Our children need more protection from the AI that is teaching them

The Hechinger Report: OPINION: We’ve been treating college as a career plan, but it’s failing too many students

The Hechinger Report: More than half of colleges show signs of money problems. Students will suffer the consequences

The Hechinger Report: The emerging fight against grade inflation in K-12 classrooms

404 Media: There’s a 100% Chance AI Agents Are Already Ruining the Internet

404 Media: ‘Doom Loop’: OpenAI and Microsoft Admits LLMs Are Destroying the Web and Built on Theft

404 Media: How AI Chatbots Are ‘Deskilling’ Human Empathy

Digital Device(ive) Policy

Dan Clark wrote an article for EdSurge in favor of cell phone use in the classroom.

I’ve been back and forth on this issue, myself. For a very long time, I saw the built-in cameras as “good enough” for video and photo content. There were even a handful of decent, free (or “freemium”) video editors for phones and tablets, allowing my students to complete entire video projects without ever needing a desktop or laptop! It was great!

Any time there was talk about a cell ban, I was the one who championed their usefulness to my admin.

I no longer do this.

There’s a few reasons why, and since this is my blog, I get to list them here.

3. Phones have become less useful.

These little computers have gotten much more powerful, to the point where phone processors can power decently specced laptops. That’s great!

… but too many apps want to track everything you do. I can’t in good conscience recommend a student submit to constant tracking to create things.

Not to mention how AI proponents (in their continuing quest to ruin everything) won’t even leave your photos alone when you take them.

2. Older cameras are still great!

I’ve nerded out about bridge cameras already on here so I’ll spare you the brunt of it, but for a fraction of even what a budget phone goes for I can get a used camera that records HD video and has an actual optical zoom lens.

Sure, “the best camera is the one you have,” so if the only one you have is your phone, then fine. My students don’t get to make that claim, because we have a bunch of lab cameras.

They still have to wait their turn, but not because of a lack of devices. It’s because I’m not sending them to scatter around the school to do their recordings.

1. The misuse continued.

I won’t go into the details here, but my argument for constructive, artistic, on-task phone use in my classroom was countered by the students who ended up in an office having to explain to a parent and admin why what they did seemed like a good idea at the time.

Could students make good use with their devices? Absolutely! Many did! Some won awards for their hard work at film festivals!

But too many of them have ruined that for the rest, and we have alternatives in my lab right now that are just as good if not better.

It’s a shame, on a lot of fronts, but in the end it wasn’t my decision.

Honestly, I don’t want that job.

Vertical or Horizontal? #Blaugust2026

(This is my twenty-eighth post in a series of entries I’m using to participate in Blaugust for 2026.)

I recently watched a YouTube video by Mark Urban where he complains about aspect ratios.

Reading that previous sentence usually has me thinking it’s going to be a rant about which format is preferred over the other. (I’m a horizontal video person myself, but that’s mainly because that’s what I watch.) This video doesn’t do that. Instead, it addresses concerns that I, as someone who doesn’t freelance, usually never has to consider.

As is my trend, I won’t be summarizing the video here. It’s worth watching, even if the best possible solution (paying for two photographers so you get both shots) is sadly impractical.

Or is it?

I teach students to make video. For the past two years, we’ve partnered with an organization outside the school to do client work for them. If I have more than one student collecting b-roll and a-roll, it’s trivial to have one record horizontally while the other records vertically.

This could lead to some interesting discussions about what to do with the shots, who the target audiences are, and how the aspect ratio affects the compositions.

And also there’s going to be that student that takes the vertical video and edits it so it’s in a horizontal aspect ratio but not cropped, so there’s large black boxes on either side. That’s a whole other discussion.

Free Play With A Plan #Blaugust2026

(This is my twenty-fifth post in a series of entries I’m using to participate in Blaugust for 2026.)

The Hechinger Report has some great writers who hit important points as they cover news stories about education. They also have frequent “Opinion” pieces which tend to be guest essays, frequently written by someone with a vested interest in having you buy into the idea(s) they’re selling.

They might be good ideas! However, it’s always a good idea to understand bias exists and look at the work through that lens. (I don’t exempt myself from this. Everything I put on this site has bias, because it’s MY website. We tend to see news sites in a different light, though.)

Take, for example, a recent opinion piece by Lenore Skenazy on letting children play rather than providing guided instruction.

The author has a book on the subject as well as a nonprofit to promote these ideas. The bias is clearly there. This is not a news story so much as an ad read for their ideas.

They aren’t bad ideas.

One of the things I enjoy doing in my K-5 classes is giving students a day to just experience a new tool. Most times I’ll go over some basics “Your brush options are over here on the left, the color picker works like this,” but after that I let them loose.

I never go over everything. First, there’s too much. The only ones who’d get to play with the tool would be the ones who stopped paying attention.

Just as important, though, would be how the students learn after that. Invariably, someone does something they think is cool. They yell to the rest of the class in a way that, for other lessons, would be seen as disruptive.

Suddenly, there’s a crowd of kids around one computer learning how to do a thing from one of their peers. They all go back to their seats, eager to try it out for themselves.

This usually happens several times in the same lesson. On occasion, I learn something new as well.

Later on I’ll come in with a more narrowed scope, where we use that same tool to make a certain kind of artwork. They learn new skills and techniques, then, often ones that translate to a variety of media in an outside of my classroom.

But they remember the joy they got from trying things out. That sticks with them as they incorporate those first day lessons into the new one.

That sticks with them.

A Library’s Hidden Cost (& How They Help You Avoid It) #Blaugust2026

(This is my twenty-fourth post in a series of entries I’m using to participate in Blaugust for 2026.)

Edsurge has an article by David Weldon on Middle School reading scores and their continued decline. As much as I’m tempted to turn this post into another rant against high stakes testing and its effectiveness, I’m just going to ask you to review your notes for that chapter and move on.

My own love of reading stems in part from my mother. She was a kindergarten teacher and frequently read to us before bed. (Sometimes she sat in the hallway so all of her children could hear the same story at the same time.) On long car trips, SHE was the audio book.

I read my first book without assistance because I’d gotten so tired of my sister asking for the same story over and over again that I just grabbed something else and read it to myself out of spite. Not the best motive, perhaps, but I was a child and that was the memory.

This of course required a lot of books. We had a bunch, sometimes found at yard sales and flea markets, but as someone who’s recently taken up thrifting as a hobby I can tell you that still takes money, and what you save in finances you lose in time and energy.

Fortunately, we had a solution: Our town’s public library.

My mother left the classroom when she had me, so she had the time to bundle us kids up and drive us to the most exciting building in town once a week. We each got books that seemed interesting to us, with the curation mostly limited to “get it from the children’s section” up until I was old enough to walk there after school on my own.

This seems idyllic in part because I’m viewing it through the lens of nostalgia, but also in large part to my mom’s hard work.

… and there’s the cost.

Libraries are free to the public, but if my mom had still been teaching I’m not sure we’d have been able to go once a week, or even once a month, during the school year. My father worked much harder to make ends meet so that we could have the privilege of growing up with a stay-at-home mom.

Finances aside, wrangling children is an adventure of its own. My sister (not the one mentioned earlier) is the most put-together makes-the-right-parental-choices person I’ve ever met, and I’m not saying that lightly. It still takes her a significant amount of time to load her two small children into a vehicle to go on a short trip.

She’s also a stay-at-home mom.

So how do two income families manage library trips?

How do single parent families manage library trips?

There’s an ongoing theme of people below a certain economic threshold having a very hard time to get above it. Everything requires money, it seems, and if you want to save money you either need to already have enough money or have enough time.

Those who are struggling frequently have neither.

Libraries are painfully aware of this, and are here to help.

The last place I lived, I signed up for a library card without ever walking through the door of their local branch. I went to the website and entered some information, then *poof,* I had an identification number that was effectively my card.

(It was faster to go into the library near my current place and get a card, but I’m privileged to live very close to that library.)

At the time, I used it to sign up for Libby. It’s a great service provided by many libraries that offers free books in both text and audio formats. These are still considered loans from your local library so if 4 people want to check out a book and they have authorization for 3 copies, one of them will have to wait, but you’re not paying a monthly Audible subscription or Amazon membership for the privilege of downloading books to your phone or tablet.

I’m not going to say Libby’s a perfect solution because there isn’t any. It still requires you to have an online device and, as ubiquitous as phones tend to be these days, they aren’t always available.

But my love of reading comes from my mother reading to me, with weekly trips to the library.

If Libby or something like it had been around back then (and the internet … this was before then, too), those weekly trips could have been daily.

She wouldn’t have even had to load up the car.

You Get What You Incentivize #Blaugust2026

(This is my sixteenth post in a series of entries I’m using to participate in Blaugust for 2026.)

Emanuel Maiberg has an article on 404 Media that tells the tale of Microsoft saying “No, not like that!” after insisting that their employees should all be diving head-first into the slop-fest that is AI.

It turns out that AI use can get expensive, and when you expect those under you to use the expensive things more and more, you start realizing how wasteful that is.

One could draw parallels to school level high-stakes testing. We talk a lot about “teaching to the test” like it’s a bad thing, but very little is done about it because those tests are how we measure student success.

If those in charge (we’re talking politicians and those appointed by them, here) thought teaching to the test was actually bad, they wouldn’t make the test so darned important.

In a recent post on this very site, I mentioned that until recently the big event for digital media arts programs in my district is a district-wide Film Festival. It’s still seen as the biggest thing, with more pomp and circumstance pumped into that than most events.

This, in spite of the push to cover the other aspects of digital media covered in our curriculum. It’s slow going, in part, I think, because the big prize is for video production, not the other things.

We have other awards, now, an I welcome the improvements. Inertia’s a pain sometimes, though.

I think about stuff like this when I’m writing my rubrics. What’s that particular project’s big thing? If that’s not the part getting most of the instructional time, why not?

And if I don’t like the results I’m getting, what do I need to change? How much needs to be changed, and how do I present those changes to my students?

Always Be Branding? #Blaugust2026

(This is my fifteenth post in a series of entries I’m using to participate in Blaugust for 2026.)

Kate Garibaldi has an article over on PetaPixel covering custom lens caps for cameras so any time the camera’s out but not in use you’re carrying around a tiny billboard.

My knee-jerk reaction was of course “Thanks, I hate it” because I don’t like the idea of tying my identity to a brand or product, but the article wasn’t about selling ad space to companies so much as it was promoting self-branding, and now there’s a company that prints custom images on lens caps.

I think this is neat, but not because I intend to use this service. (I’m on a teacher budget, after all, and I’m buying enough things for my classroom.)

Branding is, unfortunately, everywhere. Our lens caps already have manufacturer logos on them, as do the cameras, monitors, computers, keyboards, mice, and I’m going to stop the list here. This was particularly “fun” when our rules for our district level Film Festival forbade any trademarked logos from being shown on-camera.

(Things are a bit more relaxed, now, but a lot of the tech from back then still has tape over the marketing, because it was more efficient to use a bit of tape once than to apply a blur effect to each shot.)

Here’s the thing: Our classes can have their own branding. Most schools have mascots and logos already. My department has a district-wide logo used on all of our press releases and event signage. On the school level, I design a new variation each year and we silkscreen t-shirts for the students.

(I also cut a lot of vinyl stickers with my Cricut, though I won’t recommend that brand due to my experiences.)

Having branding for your classroom can help to promote a group identity, and while practice makes the act of logo creation easier, one doesn’t need a lot of skill to get started.

“But Aaron,” you say, “I’m no good at art, how could I manage to do this?”

I have students making logos as young as 3rd Grade with a simple web-based vector editor. They take an image and add some words to it. Done.

“But Aaron, it’s not going to POP without a cool graphic, and I’ve no skill with making those!”

(H&R Block couldn’t manage it either, you’ll be fine.)

Go to OpenClipArt.org and search for your school mascot or something that relates to your content area. (I’ll often look for a camera or microphone.) Grab one with high contrast that doesn’t look like slop. You lose a lot of respect if your image looks like slop.

“But Aaron, how do I get this to be ON things?”

This one’s trickier. You could go my route and use a vinyl cutter, though your image will have to be monocolor a free of floating objects. (Floating objects are parts of the design that are not physically attached to the rest of it, so they require additional effort to place correctly after you peel off the backing.)

Me, I like that challenge, but not everyone does.

If you have access to a printer, printer-friendly sticker paper has been around for decades. In a pinch you can use address labels. Being pre-cut is a bonus, though you’re stuck with those dimensions. Visit your office supply store of choice and look for “sticker paper.” You’ll find options.

Now if you don’t mind, I have some stickers to cut out.

Why Are We Still Using High Stakes Tests? #Blaugust2026

(This is my fourteenth post in a series of entries I’m using to participate in Blaugust for 2026.)

Ars Technica recently reported on Mexico’s largest university doing a completely remote entrance exam, and the disaster that resulted from it.

I won’t be using this to rant about AI, though the anti-cheat cameras were “AI powered.” I won’t be using this to rant about anti-cheat lockdown procedures either, though I’m also not a fan of those.

Neither of those would be needed if we didn’t still rely on high-stakes testing as a measure for student aptitude and accomplishment.

Now I’m not opposed to the occasional quiz. More often is better, because one off day can be balanced out by the rest. If done well, quizzes can even be used as tools for reinforcing the information students need to know.

But the big chunks of a student’s assessment should be evaluated by looking at what they can do, and I’m not going to get that by looking at how often they picked the right answer out of four possible options.

Show me a movie they made, an image they painted, a book they wrote, a business they planned, a robot they built, or anything other than a series of A, B, C, and D answers.

There’s a reason why some colleges have stopped caring about SAT scores, and it might be related to the reason why there’s no peer reviewed evidence showing a correlation between high test scores and success after school. (I vaguely remember Pearson publishing a study on their website that showed it, but their bias alone would probably prevent it from getting through peer review.)

If there’s one thing the SAT is known to show, it’s how wealthy the students’ parents are.

But we still use them, because, and say it with me, now: “We’ve always done it this way.“

And of course we have.

Multiple choice questions are easy to grade. Easier, now that we can have computers do it for us, but I’m old enough to remember Scantrons and hand grading.

We picked the easy over the good, because we have so many other things we’re told to get done and, quite frankly, grading tests is tedious.

(I will not segue into complaining about AI here, but I want you to know there was effort involved in that decision.)

There’s so much more value and reward in seeing students make something. It can still be graded objectively, you just need a rubric.

What amazes me is how many teachers don’t even know how easy rubric grading can be. They’re taught the test and then told to teach to it. I don’t have an article to link for that one, but I recall my days as a traveling art teacher where the principal specifically asked me to show sample rubrics to the teachers in her building because the teachers didn’t know how to use them.

The Better Way: Rubrics

When I’m making a rubric, I ask a simple question: “What do I want the student to accomplish with this specific project?”

We’re not talking a course-long activity here, we’re frequently looking at a single day’s worth of work (maximum 2 weeks, for my older students).

This is where my ADHD comes into play. I’m going to have a short list, because if I start getting distracted while writing it there’s no way I should expect a student to focus through the whole list.

The result is going to be 3-5 things I want their work to include. My youngest students might only have 3 “look-fors,” and even the older students are usually going to have 4. Point values may or may not be distributed evenly, depending on what I want valued.

My older students, for example, will usually have a list of 4 requirements, each worth 25% of their grade. In the beginning of the year my youngest students might instead have a ranked list of scenarios, where managing to log into the computer without help gets them most of the way to an A.

“When the ink was still wet on my certification I sometimes made a list of 10 things I needed to see. Granted, I was teaching high school at the time, but that was still a lot to get done. I like my current method much more.

“But Aaron,” you might ask, “How do I make sure they know everything the test checks in Chapter 5 of the math textbook?”

Great question.

How do you know they’ll remember any of that the day after the test?

My students don’t forget how to make movies, because it’s interesting and compelling enough that the knowledge sticks with them. If I have them make a movie covering a math concept they might not memorize a whole chapter, but they’ll be more likely to have that part down.

Now have the rest of the class make videos about the other sections in that chapter.

Have everyone in the class critique each other’s videos. Give them the rubric, and ask for positive and constructive feedback.

I do this in my classroom. The Critique Days count as an assessment score. My classes aren’t small enough for everyone to watch everything in one day, so I limit them to 10 critiques, with any extras as extra credit.

(I sort them alphabetically by student name and have every student start with their own video, so ideally no two students are grading the exact same list of videos.)

If you want to be really daring, you can average the scores the students give together and have that be a portion of the grade. Reserve the right to override the result, though. I’ve found my students collectively tend to be on the mark for a lot of things but every now and then a misunderstanding results in what would result in an unfairly low grade without me correcting things.

(I’m not the only voice in my classroom, but I reserve the right to be the loudest one.)

So, yeah, ditch high stakes tests. They’re bad. The people who make us have to use them should feel bad for doing so. Assign a project. Use a rubric. Everyone’s going to have a lot more fun learning that way.

Content Diversity #Blaugust2026

(This is my twelfth post in a series of entries I’m using to participate in Blaugust for 2026.)

There’s a guest “Opinion” post by Oz Alon over on PetaPixel that talks about how photographers are doing less specialization in order to make a living as photographers.

Now Oz Alon is a CEO if a business management platform so I’m looking at this article as more of an ad than a photo news story, but the idea that it’s hard to make ends meet by just doing wedding photography is not too much of a stretch for me.

I’ve been teaching at a K-8 arts academy for almost 20 years, now. When I started, I just taught elective classes. There was barely any photography, no videography to speak of (On 32 bit computers? Surely, you jest!), and the initial job description that I was told to go beyond only mentioned Microsoft Office products as my content area.

There were students making videos, but that was the purview of the TV Production teacher.

Move forward a couple years and budget cuts hit hard. I remember furloughs. It wasn’t a good time. In the shake-up, the TV Production department (our art department with the lowest enrollment) was cut and I inherited those students.

I started out trying to copy what they’d been doing. I had some experience with video at that point (I’d been posting videos here for a few years by then) and I’d been teaching storyboards for years in my previous visual art classes.

All videos, all the time. If it wasn’t a video, it was a plan for a video or critiques of student videos.

It was extremely limiting, but it’s what I thought was expected.

Here’s the thing, though: My class was never called “TV Production.” That program was gone. Mine was brand new. I could have done whatever I wanted, provided I found state or national standards that backed me up.

Eventually I branched out in bits and pieces. Students dipped their toes in music production using GarageBand, since we had a MacBook cart we could use.

We started taking more photos.

We made animations.

We made podcasts.

Minecraft came along and I started letting students create “adventure maps” so long as they scripted the challenges and recorded themselves completing them. I had them doing game design and it was wonderful.

Eventually the remaining TV Production departments in my district were rolled into a new department, Digital Media Arts, with its own state standards and everything. You know what? Those standards matched what I was doing with my more diverse lessons.

You know what most teachers did?

Video production, and nothing else.

You know why? You may want to make sure you’re sitting for this one:

“We’ve always done it this way.”

Inertia’s a heck of a thing.

There’s efforts to change this. On the district level my department still has its annual film festival, but now we also have a festival for podcasting and photography. We’re encouraged to branch out to those areas as well, and given sample lessons to help us step out of our comfort zones.

(Most of the high school photos come from the vis art students, though, because photography “has always been” visual arts and, again, inertia.)

But as slow as they may seem, changes are happening. Tomorrow, before I give my own song and dance to new teachers about things they can do, another awesome colleague will be talking to them about photography.

We’re not just TV Production any more. Haven’t been, for as long as my students have been breathing.

It’s good to see other people agree.