The New Literacy and Art

brushes iconMr. Warlick has had some wonderful commentary about the new literacy in his blog and in his podcasts. Long story short: old literacy = reading & writing, but new literacy = reading, writing, instant messaging, blogging, wikis, and any other way modern technology uses language nowadays. It’s important to stress the new literacy because it involves skills used in the “real world” but not skills that are traditionally taught in the classroom. Does this catch your interest? Great! While you let David Warlick’s pages load in other windows allow me to entertain you some more.This whole idea of new literacy is interesting to me partially because of the parallels you can and can’t draw to the world of Art. You see, there was a time when the only art that would be taught in a serious school was the kind that would show up in a museum. This was placed into three categories: sculpture (usually stone or metal), drawing (“real” drawings, not those childish cartoon doodles!), & painting. This triad of genres is often referred to as “high art.”

Naturally, everything else fits into the realm of “low art,” although it’s also referred to by that wonderful word: “Kitsch.” Crafts, cartoons, photography, printmaking, advertising, anything that reflected pop culture, etc. – any person that did these things and called themselves artists was setting themselves up for ridicule.

But time moved on, as anyone who’s taken an “Art Since 1950” course can attest to. Many photographers learned the rules of composition from established painters. Andy Warhol did things with silkscreening that made the world question the boundaries of art. Roy Lichtenstein elevated cheap cartoons to the level of high art by hand painting things to look like they were mass-produced. “High” and “Low” are terms still used today, but the two circles in that Venn diagram have been overlapping more and more every year.

Then came computers, the GIF and JPG files, scanning, digital photography, computer generated images (CGI), and much more. Most of this high-tech stuff has come late enough in the game to simply ride it’s way into the art mainstream on the coattails of the postmodern art movements.

So you see, most artists have already won their battle for the new literacy. Unfortunately, the same cannot be said for those of a more verbal and less visual nature. What, I ask, is the difference between moving from a textbook to a wiki and moving from a museum to a flikr account? True, the textbook and the museum both still have elevated status in our society, but online ways of sharing information are increasing in popularity and slowly eating away at the market share of the older media.

And through all of this, I still see a comparison to high art vs. low art. Over time it became high art and low art, and today there are many (including myself) who would tell you that high art is low art.

I can’t wait for the written word to catch up to us.

As always, your comments are very much welcome.

5th Podcast – 6th Grade Videos and Bob

Click to play or download.[EDIT: I’ve moved this mp3 file to archive.org and changed the link to match the new location.]
Number 5 is alive!
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This episode, expect to hear…

  • Students like being on both sides of the camera – it can spice up almost any lesson.
  • Students who teach more learn more, so put them in teaching situations.
  • History According to Bob – a great series of podcasts delivered in bite sized chunks of goodness. This is one of those sites that should always rank higher than me on Podcast Alley. (He’s number 6, so I think he’s in the clear here.)
  • This episode’s music is “Molecules” by Patrick Schouten

Yeah, I should probably post some non-audio stuff soon for those of you who don’t like podcasts.

2nd Podcast

Click to play or download.[EDIT: I’ve moved this mp3 file to archive.org and changed the link to match the new location.]Looks like I didn’t learn my lesson – here’s my second podcast in all it’s glory! (And it’s a day early, no less!) It’s much shorter this time, so it only came to 12.3 MB.

It also looks like practice makes perfect. I still flub things here and there, but I heard fewer “ums” and unintelligible dialogue this time around.

This time through I stuck to my notes, discussing my quest for a Linux server, my school’s multimedia multicultural extravaganza, and the start of a multimedia club for next year.

Shownote Links:

acapulco sunset – A song by Martin Sarna, hosted on archive.org

Archive.org – All kinds of media with all kinds of licenses.

Teach42.com: The web site of Steve Dembo – the man, the myth, and my inspiration for podcasting.

How to install Knoppix on a hard drive.

Linux Home Networking – tips, tricks, and forums for help.

Distrowatch.com – Linux versions galore, and information about them.

Ourmedia.org – Have a large file you want stored somewhere, but don’t have the space on your own server? Check this place out.

YaGoohoo!gle – It’s Google, it’s Yahoo! Stop, you’re both right!

My first podcast!

Click to play or download.[EDIT: I’ve moved this mp3 file to archive.org and changed the link to match the new location.]Once again I’m bandwagon jumping, but now I present to you my first audio rambling in all it’s glory! (Just click in the little icon to get it.)

I’m not sure how many of these I’ll be able to fit on this server before moving them over to ourmedia.org (This one’s 26.3 meg! Ouch!), but as I only have high speed at school and our firewalls here block ourmedia.org’s nifty uploading tool, I’ll hold out for as long as I can.

Two things I noticed when editing this: As everyone finds out when they first record themselves, I say “Um” a lot. I edited a good many of them out, but left them in when I felt doing so would hurt the rhythm of what I was saying too much (In other words, it was too much work to cut them all out.)

Also, I tend to speed up or slow down when I’m talking, thus making my words a little hard to understand at times. This was a little harder to fix in post-production, so I just hope that I can work on this next time I’m recording.

Shownote Links:

Creative MuVo TX FM 1 gig: My mp3 player / audio recorder of choice. It’s small, it’s cute, it’s USB 2.0!

Teach42.com: The web site of Steve Dembo – the man, the myth, and my inspiration for podcasting.

Wikibooks: I mentioned this when I was recording but couldn’t remember the name of the site. Wikibooks is an online collaboration open to anyone that wants to help create free online textbooks.

In defense of analog.

brushes icon

That’s right, analog. Just because you can go digital doesn’t mean you should go digital with everything.

No, I’m not one of those people who still only listens to records because I think they sound nicer, but analog does have it’s benefits.

I decided to write about this after reading about a study where technology was found to have no positive impact on student performance. In fact, the study said they did better if they didn’t have computers. Shocking, I know. As a culture, educators often do tend to think (even if only subconsciously) that a computer is a magical device that will alter our students’ DNA to make their brainpower increase tenfold. (Edit: Although technology can and does help raise test scores in some instances.)

You see it’s not whether or not you’re using technology, it’s whether or not you’re a good teacher. A shiny new Macintosh will not magically make your student ace his or her SAT because it’s not a magic pill. However if you already are a good teacher, the increased use of technology can be a boon to the classroom as you now are better able to address the multiple intelligences found among your students – provided you do not then decide to get lazy and let the educational software do all the work for you. (I’ve seen that happen too, fortunately not at my current place of employment.)

This is even more obvious in an Art classroom. I love technology – I routinely play around with computers, digital cameras, digital video, web pages, RSS feeds, podcasts, the list goes on. I’m planning on having my 6th graders make a video for the upcoming multicultural dinner, and I’m really excited about it too.

However, I don’t do these things in every class. There’s still something to be said for the act of putting a pencil onto paper, for painting over crayons with watercolors and watching the crayon show through, and for following a series of folds to make an origami frog that can jump across your table. Sure, I could do some of this on a computer, but I could not do it as well.

A computer, like any other educational resource, is a tool – and tools are only useful if they’re used for the jobs for which they are best suited. Perhaps that aforementioned study found such low progress because too many people thought you could hammer a nail with a screwdriver. You can get it to work, but it’s a lot more effort than using the right tool for the right job.

So I’m all for computers and digital arts. Bring on the 1 to 1 computer/student ratio, I’m all for it!

… but when I show up to teach your class you shouldn’t be surprised to see my cart’s still full of markers, crayons and paint. Now if you’ll excuse me, I have an art supply budget to complete.

Copyright Warnings

brushesCopyright infringement is a big deal. I mean, a really REALLY big deal. A “cease and desist or our army of lawyers will sue you and everyone associated with you for your entire life savings” big deal. And for the longest time, many people have felt that they were (or should be) exempt from copyright restrictions. Unfortunately, they weren’t and/or aren’t. The following stuff is cautionary in nature based on facts. If you want to see my personal opinion on this I’ll mention that at the bottom of this posting.For many of you that stay up to date with tech news the first thing you thought of when reading the above paragraph was “stealing MP3s.” Yeah, people distributing copies of music without permission is a big chunk of the pie, but there’s more to it than just that.

Infringement in the arts…

Look at Andy Warhol if you don’t believe me – his most famous works were all appropriated pop culture references, and most (if not all) of them were copyrighted by others. If he tried to do today what he did then (assuming he was still alive), he might need to put all his profits into legal expenses.

Infringement in Education…

But wait, there’s more! Did you know that a lot of copyright infringement happens in school? Unfortunately, it does. There is a “fair use clause” that allows educators to do a little more, but the shield of fair use isn’t as big as some teachers think it is.

Want to show a movie in class? Well you can probably get away with short clips preceded and followed with class discussion, but if you would rather just turn off the lights and hit play you’re providing a public viewing. You know that little FBI warning you fast-forwarded through? Yeah, you just broke federal law and made you and your school liable. There are some tapes that when purchased include permission for viewing in their entirety in an educational setting, but I doubt Disney’s “The Lion King” is one of them.

Want to photocopy a book for your students? Last I heard you’ve got two choices: Copy no more than a chapter at a time and disposing of (NOT reusing) the copies when you’re done, or making sure you have an actual book for EVERY set of copies you make. Making 25-30 copies of a book you borrowed from the library can get your principal very angry at you if you get caught, and believe me people have been caught. (Some substitutes turn teachers/schools in for a small finder’s fee.) When in doubt ask your Media Specialist (or Librarian for you old-schoolers) or Technology Coordinator. They may deal with copyright law on a more frequent basis than you do.

So what’s my opinion on copyrights / file sharing / etc.?

I think some people are a little too zealous with their opinions. On one hand, the copyright holders sometimes go out of their way to enforce their intellectual property rights. Disney has served papers on teachers who put Ariel from “The Little Mermaid” on “Welcome Back” signs in September. Some CDs are modified so they won’t play in computers. I don’t think these steps are necessary (and in some cases they can be bad PR), but those companies have the right to do things like that – it’s their products, after all.

On the other hand, those that promote the breaking of copyright laws seem to say “Let us do what we want or we’ll do whatever we want anyway!” Seriously, I’ve heard people interviewed who said they didn’t agree with the price of something so that’s why they downloaded it illegally. If you try that at Walmart they’ll haul you away in cuffs, and rightly so. A thief is a thief, whether it’s a 25 cent pack of gum, 99 cent song, or a $1,000 stereo system. Oh, and saying it should be ok because the person you robbed is rich will at best make the judge laugh at you for acting like you have a below average intelligence. “…and justice for all” includes the rich too, you know.)

As for me…

I am an artist. As an artist, I would feel greatly offended if someone else made a profit off of my creations without giving me a cut. I would also feel cheated if something I based my livelihood on was being distributed for free whether I wanted it to be or not. I mean, why buy something if you have something else of equal quality for free, right?

Now as an artist, I also see reasons to have my work shared with others. It can get my name out and increase my popularity, for starters. I’m not concerned about financial gain (although my student loans aren’t due yet…), so I’m just happy for the ego boost I get from people telling me they think my stuff’s cool. That right there is payment enough for me. But the free distribution of my art is and should always be my choice. That right there is in my opinion the bottom line. Promoters of file sharing have given good reasons for what they do, but not a single one of them can or should trump the copyright holder’s wishes.

Bridging the Digital Divide

circuit board… and doing it $100 at a time, if those wacky geniuses at MIT and AMD have anything to say about it.The more I read of this article, the more happy I became about it. To make a long story short (Trust me, my story’s shorter. Their story’s 3 pages), A bunch of MIT researchers have decided that it’s possible to design a wireless laptop for $90-$100, provided they get a screen that’s cheap enough. AMD (one of the leading processor manufacturers and Intel’s main competitor) and Google have promised to help out as well.

Naturally they’ll be using open source stuff like Linux (I’m sure they’ll pick one of the free versions over Red Hat or Linspire) and OpenOffice to make sure only the hardware needs to be purchased. Does this mean that people will miss out? Well, sure, if you mean spyware and viruses.

All is not perfect in this wonderful dream. Apparently one of the ways to cut costs is to only manufacture orders of one million or more, so unless a school district has $100 million spare cash in it’s budget it might be a little difficult to see computers like these showing up in schools. I suppose school districts could always team up to pull their resources though. I can even see them instituting some type of clever reselling system to earn their money back. I know I would totally buy one of these if it went on sale.

And the bottom line would be: everybody wins.

On Demand Education

circuit boardMany of us are old enough to remember when VCRs first became popular. Before then if you wanted to watch a movie you had to go to the theater or wait for it to show up on TV. Once VCRs got past the legal problems (The movie industry thought it would COST them money .. HA!) you could see a movie any time you wanted to. If there was a cool show on TV but you still wanted to go out someplace with your friends, all you had to do was program your VCR and walk away.(Yes, I’m looking at history through rose colored glasses. Our display was always flashing 12:00, I admit it.)

Nowadays we have Tivo and other digital recorders to do the same thing for us, only better. On top of that we have podcasts, RSS feeds, voice mail, and all other kinds of cool things that let us get our information when we want it, not just when it’s convenient for others.

That right there is the heart of this little spiel of mine.

You see, we can use this to our advantage in education. Imagine a school where every student is required to have an MP3 player. The teacher could record the lecture and / or supplemental information and distribute it to the students. They could listen to it while on the bus, doing chores, or even when playing their favorite video game. Students could make the time for education while doing other things as well, thus taking a load off of their shoulders.

Now I don’t think that audio should replace text entirely. Not all students perform well by being lectured to, just like not all students perform well by being given worksheets. Rather, I think it would be ideal to have the two elements combined, with one reinforcing the other.

Sound like more trouble than it’s worth? Not really. Most podcasts out there right now have corresponding “show notes” for each episode, including links, downloads, and more. If people can do this for a hobby, why not do this for a class? If each teacher had an RSS enabled blog, the homework, notes, audio recordings, handouts, JPG files of sample artworks, and anything else that needed to be distributed could be sent directly to the students. The students could even have their own blogs with which they could submit their assignments. Imagine: students could no longer use the “You never gave me that,” or “I know I handed it in, you just lost it,” excuses. One quick trip to the news aggregator would prove them wrong or right instantly. (Those excuses would have to be replaced with “I have a virus,” but that’s your own fault if you’re still using Explorer.)

Naturally this could invigorate distance learning programs, (I’m in one now as I’m enrolled in University of Phoenix’s online Master’s Degree program, but I think they could make a good program into a great program if they started using RSS and podcasts in addition to the newsgroups and email they already use.) but I can see this being used in the regular classroom as well. The only things holding us back are the lack of a 1:1 student/computer ratio (not including an MP3 player) and the inertia that keeps teachers from trying new things.

I know I’m not the only person who’s thinking along these lines. David Warlick, Steve Dembo, & Steve Sloan have voiced similar opinions. I’m just agreeing with them here.

Rainbow Warriors

Browser Window pixTo those of you who think that newspapers only report bad news, I say “HA!” and “HA AGAIN!James McHenry Elementary School really has a good thing going for it with Mr. King and his Rainbow Warriors program, which is one of the many reasons why I’m glad it’s one of my schools.

I won’t read you those two articles word for word, but this is one of those programs that just gives everyone involved a positive mental attitude. Kids, parents, teachers, everyone’s glad it’s there. I also like the goals that Mr. King has in mind for the future, although I may have to talk with him about building a web site. A paid site is nice, but there are plenty of hosts out there (Geocities for example…) that can give you space for free.

So, who else has some outstanding news about their school?

Book Review – Photography: A Crash Course

Brushes IconIt should go without saying that a good teacher should know his or her subject area well enough to teach it without a book. Being able to and having to are much different things, however, and I for one am grateful for that. Texts are wonderful resources that can foster discussion, provide background information, and give step-by-step instructions on how to complete tasks. One book that is a good example of some of these things is Photography: A Crash Course by Dave Yorath. (Sure, I could find a lot of this stuff online, but I like the tactile nature of books as much as I like the interactivity of the internet.)

The very name implies that this book is meant to be a textbook of some kind, although it’s my opinion that it would best serve as a supplementary text rather than the main book for any particular course. As rich with information as it is, the book is only 144 pages long, including the index, and a majority of that space is filled with the book’s 400 assorted illustrations.

I must admit that the price was right. The book’s list price was $14.95, but it was in the bargain books section of Barnes & Noble for $4.99, roughly a third of the list price.
As a mostly self-taught digital photographer I found this book to be quite intriguing. True, it said little on how to do this technique or develop that kind of film, but where it lacked in instruction it made up for it in historical information. At the top of each page was also a timeline explaining what else was going on at the time that that page’s content took place – a wonderful way to help readers keep everything in context.

As much as I liked the book, I think it would actually be a bit too difficult for most of my current students (since I’m teaching elementary at the moment). My best use for the book would most likely be to digest it’s information and provide regurgitated chunks to my class as they pertain to any particular lesson. Were I still teaching high school, I think I would seriously recommend the purchase of 30 or so copies for use in the classroom. High school students would be more likely to create involved photography projects anyway.